One of the best band-order stories was told to me by Ben Daughtery. In the late 80's, Squirrel Bait opened up for GG Allen in Cinncinatti. Even for soundcheck, GG was the consummate professional, knocking a light tech off a ladder and checking the mic by sticking it up his anus. When it was Squirrel Bait's time to check (for those that don't know, soundcheck order goes in the opposite of show order), Peter Searcy had to use the mic GG had christened. (As the story goes, later that night the show was raided and Squirrel Bait, most of whom were underage, were locked in a closet with GG who had been in the middle of a set where he was painting himself with his excrement. Showbiz!)
I realized writing this that Ben told me this story on the way to a Love Jones show in Phoenix Arizona where LJ was on a bill with All and (I think) The Descendents. Ben had a bit of a meltdown with the billing and we never played.
Which reminds me of the time I travelled with the Impressions for a show in Houston, but that is a whole story unto itself.
Other band order memories:
Playing after Foo Fighters. This was back when their 3rd album had just come out. It was my 5th show with Days Of The New. This went amazingly well in part because after seeing them destroy the stage, I felt like there was no point in being psyched out. I never noticed David Grohl and Taylor Hawkins sitting behind my drum riser during the set, which would have freaked me out. I remember Taylor's drum tech telling me about when FF's had played with Alanis Morissette that Alanis had made a stink about who played when and Grohl stormed into her dressing room, said he didn't give a fuck and played before her for the rest of the tour.
Playing after Black Keys at Rudyard Kipling. That sucked. This was the first time the BKs came through Louisville and I, being afraid of nothing, did not count on how less confident I could feel singing and playing guitar rather than drums, which was what I was doing at the time. I spent the set staring at every open space in the room, which seemed to be many after the Black Keys set.
IAJE 1991. Craig Wagner and John Skaggs and I were made the "host band" for a late night jam session. What a mess.
Days Of The New and Sevendust at Louisville Gardens. Travis and his management felt that because it was Louisville, Days Of The New should headline no matter what. By this time, (5 weeks after the Foo Fighters show,) I was beginning to understand the virtue of playing next to last. It is really the best time slot. It saves you from watching hundreds of drunk people stream out of the auditorium while you play the forth song of the set. I have great memories of the show, though. It was Dad's first quasi-arena show. Sidestage videotaping the topless chicks makes any set time a good time.